The Council’s vote was in. It was a tie. She, being the Chair, has the casting vote and a devastating decision to make. A responsibility she definitely does not want but cannot now avoid. She rereads the summary for the umpteenth time, though she knows it by heart. With all the Council’s eyes, ears, noses, quanta readers and sub-quanta sensors on her, she just wants some breathing space.
Planet Orion-Arm-485-3 has followed the usual Gloop, Moved, Anchored, Extenders, Rovers, Makers, Enlightened, and Transcendent (GMAERMET) process, but is now stalled in the Makers stage. Below is a summary of its history, current situation, and available options. A decision is urgently required.
Our galactic sub-quanta spider-net picked up the normal signal of the Gloop’s chemical reactions to form the microorganisms of the Moved 3,900 million years ago. We followed procedure to set up a sentinel to watch for changes in the fractal dimensions of surface features, which would prove the planet’s surface had evolved from Anchored microorganisms to the plant life of the Extenders. This happened 470 million years ago, later than normal, but still within the expected time tolerance. We re-evaluated our time span probabilities for achieving the next stages accordingly and upgraded the sentinel to watch for the surface movements of the Rovers.
Now they’ve gone, I’m bored. I sit alone in a darkened room, drumming my fingers on my knees.
Although, I’m not entirely on my own. It’s there, staring at me but not seeing anything. It will see, if I want it to. But I can’t … I can’t let it see me. It will judge me, just like they all did.
The smack came so hard to the back of my head that my nose hit the desk. I didn’t make a sound, but everyone laughed. I looked down at my notebook. There was blood on it now.
“Loser,” I heard.
I ignored the voice and dipped a pen into my own blood, trailing it across the page. I heard more sniggering and then a clatter of chairs as everybody rushed to take their seats when the teacher entered the room.
Bree lay on the ground, head aching, as they talked over her. She hated those pious cows. Why had they brought her outside? She wanted another bottle of vodka, not rescuing.
“I’m still not sure why you’re doing it,” said Denna Kinjiun, the resident elderly busy-body, talking to someone Bree couldn’t see.
“I know,” that someone replied. Ann Teranu, cast in much in the same mould as her friend Denna. “But what else have we got but work and hoping the sun still rises?”
Their voices were like thunder in Bree’s head. “Don’t want the sun to rise,” she mumbled. If the sun didn’t rise so much, they wouldn’t be living under a dome in one of the new deserts, for God’s sake.
Ann bent down and glared at her. “We made you coffee. It might improve your mood.” She placed a mug on the ground, just out of Bree’s reach.
Screw fake instant coffee. She didn’t want anything.
“It’s a good start, I suppose,” Denna said.
We’re halfway through dinner when the implant malfunctions.
The dining room smells like roast chicken, garlic mash, and mushroom gravy as our father, drunk off one beer thanks to the cocktail of medications he’s on, tells us about the time he stabbed his brother with a fork over a potato.
“God, I miss Frank.” He wipes his eyes, and it doesn’t matter that we’ve heard the same sentimental tale a thousand times. “Your grandmother worked so hard, and there was never enough food in the early years after the oil crash. But we stuck together.”
That’s when my sister, Marie, takes a swallow from her third glass of wine and the colour drains from her face. “Mom?”
We all look. Mom’s expression is frozen, her breathing quick, her pupils dilated.
“Look at her hands,” Marie says. “How can this be happening? It’s been years!”
“Mom,” I say tentatively, “are you okay?” But we all recognize the typing motions of her left hand, the way her right curls around a non-existent control stick. We’ve all heard the story.
What do you get someone who has everything? I have everything I ever wanted – the swanky apartment in the City, the fast cars, the racing bike, the expensive holidays. I don’t go to work because I don’t have to; I could employ someone else to do it all for me. My parents were rich. They died. They left me everything.
Money doesn’t make you happy. That’s what people with no money say. Money made me very happy.
I grew bored, though. After I had travelled the world, I base-jumped. I scuba-dived. I climbed the highest mountains. I went into space. I did it all. I experienced everything, even things I didn’t like very much just for something to do. I had relationships with men as well as women. I’m pretty sure I was the modern-day equivalent of Dorian Gray.
But God, I was bored.
That’s when I heard about Dream Box. The vast majority of drugs have been legal for so long now that nobody really bothers with them anymore, but the Dream Box was something else.
When Mike McMurphy injected the serum into his arm, he had no idea that he was bringing all the world’s suffering to an end. He’d spent less than two weeks developing the virus: a simple bundle of protein with barely the complexity to be covered by US copyright law. The syringe caused no pain – and Mike had used the oldest, bluntest needle he could find – but he could feel the serum spreading through his blood.
It was a simple virus, spreading a rash across his chest and raising a slight fever, but it dwindled away after a couple of hours.
The mutation, of course, did not.
The mutation developed in the third-floor men’s room of the Old Chemistry Building. More aptly, the mutation developed in Mike, but it was of no consequence until he released it, mostly in the urinal and on the floor, but the mutation spread through the plumbing and into the air. Perhaps if the bio-pollutant detection system had been better honed … but it wasn’t. The tightwads who oversaw the university’s budgetary committee had sealed the fate of humanity.
Breaking down her body, I can tell her parts are different from anything else in my collection. I remove her carbotanium panelling and unscrew the protective plate. Resting it on the oil-smeared workbench, I open up the wire-meshed housing unit and connect to her sternum slot.
Data streams up to the console, and the monitor flashes the tell-tale codes of sentience. A whirring builds from her chest cavity. Lights slice blue from side panelling and the power unit spills poisonous-red brilliance across the landlocked shipping container. Shimmering metal reflects in the glittered stars of Advika’s school painting. The bot’s voice unit thrums. I calibrate it, and she speaks clear: “I sense you’re in distress.”
My head burns. An hour since activated, she’s ceaseless with her probing.
“What would you know about how I feel? You were just a fitbot. All the MR-Series were.” Probably her emotional response matrix is damaged. A known issue. “But I’ll soon fix you up good after a road test! Ain’t much I can’t repair or improve.”
“My previous user already modified me. I’ve not been utilized as a fitbot for seven years.” She lets that hang in the arid air.
The Water. Strange name for an art gallery.
Everyone says that. It’s wearying, to be honest, but I have only myself to blame. Mooring the gallery three hundred kilometres above a desiccated rock that hadn’t seen a drop of moisture in millennia at least gave a soupçon of irony in our first season. Here, among a pentacluster of aqua-habitats, it’s ridiculous.
Still, I make the most of it, inviting viewing guests to offer their conjectures as to its origins. Many surmise it’s a philosophical statement, art being as necessary to life as H2O. Excuse my hollow laughter. The more knowledgeable, i.e. the better prepared with goog-implanted art history briefings, think it relates to the famous conceptual installation The Water, Unbridged by Semke Manoula of 2119, or the infamous The Water is Rising by TeeranTula in 2243 which drowned forty-seven art lovers and – thanks be to the gods of true art – the artist yrself.
All such theories are wrong, but they provide opportunity for small talk, as I waft the guests – potential buyers, all – through the antechambers showcasing work from less expensive artists towards Suuztchi’s latest offerings in the main Halls.
‘Your family is not left behind.’ It’s the unofficial slogan of the Commonwealth Expeditionary Force. Family units are supposed to be more stable for long-time missions, according to the higher-ups. I don’t think this can be applied to the Masons, somehow. Dad says ships like ours are really like small towns back home. All the good bits are on show for people passing through. The bad bits are hidden away behind closed doors and twitching curtains. Dad isn’t into people. He likes rocks, you know, anything from boulders to the layers that make up worlds. Mum, she likes bugs. Not bugs as in creepy-crawly types, with wings and feelers. She’s into the type that you can only see with a microscope, the ones that can either kill or cure you, depending on your luck I suppose.
Me? Well, I am into people. I love watching my fellow crew and listening to them. My teacher said I will make a good anthropologist someday. Listening when I wasn’t supposed to – that’s how I found out about the Masons. I mean, ‘reassigned mid-mission’? Did anyone in the crew really believe that? Come on. The way their quarters were sealed off for two days, and the first officer looking as yellow as a backer bat. I swear he was going to puke when I saw him in F section. Not to mention the way the senior staff talked in whispers for ages after the Masons were reassigned. Something really bad happened.
The safety pod’s almost completely circular bench is hard and there is no room to stand up with the table in its otherwise empty centre. Detective Torvinne Bergholm has to find a distraction from the discomfort.
She ups a holographic screen from the seam in her spacesuit’s forearm and stops short of activating her favourite games. That would be rude if her murder suspect and interviewee, Oona Campbell, were to open the door unannounced. So she reads her case notes: the suspicious death of Mike Benson, found near this mine’s face with his helmet’s faceplate smashed in, which had led to total air loss in his spacesuit. Locals, here on Miranda, had put the cause of death down to ghosts: clearly ridiculous. Hence the constabulary sent her all the way from Earth to investigate. Good job she likes weirdo puzzles.
She rereads Oona’s profile. Instead of, as expected, working alongside him, Oona said she had to get away from the mine’s face and was sitting in this pod to calm down at the time he died. Why would a practical, level-headed person be deterred from earning drilling premiums? Especially as this mine is a safe one. There was that word in the report again, ‘iceborne’. What the hell did that mean?