It was easier than I thought to teach Albert to run up the grandfather clock on command but much harder to get him to come down again at a decent speed.
“Don’t overthink it,” I coaxed, as the mouse scurried along the split pediment at the top and peered over the edge to the almost straight drop to the floor. “Just run. There will be cheese for you at the end of this.”
The mouse stood up on his haunches and wrinkled his nose, whiskers twitching with dismay. “I don’t care for cheese,” he said. “If I’ve said it once, I’ve said it a thousand times.”
“And I don’t care for this attitude. When I send you out the window with my message for help, I need to know you’ll be able to get down before any alarms go off. If you’re captured and poisoned, I’ll be trapped, and you’ll be just another dead rodent. I’ve spent months on your training …”
Albert’s cheek pouches bulged with anger. “Is that what I am? Just another pest to kick away once I’ve served my purpose?”
Hear my prayer, Lady, and remember me. I was six years old, no one, nothing, but you found me. Girl was my name …
Girl doesn’t respond, only crawls further into the gap beneath the house, deeper into the shadows. She’s done nothing wrong, but Naala screaming for her like that means a beating.
“This is how I’m repaid for my compassion and benevolence,” cries Naala as villagers gather. “But it certainly shows I lacked wisdom, taking in the orphaned babe, caring for her for five long years. In truth, she’s as wicked as her feckless parents. But I’ll have judgement-giving and justice before the god. As Temple Elder, I demand it.”
Girl doesn’t understand all the words, but some make her tingle inside. Then Aprakash stumbles from the house, half-drunk on rice wine and raksi.
“Why all the shrieking, Mother?” he demands. “What’s the brat done now?”
“Theft! Theft from my own house!”
Beth grinned as her sister Katie spun around their bedroom singing along to Connie Francis. Katie loved singing – she even sounded a little like the icon and had similar looks – and what with her red-and-white halter-neck dress, she was sure to bag a Teddy boy at the dance.
Beth turned back to the mirror and blotted her red lipstick on some tissue paper. Father didn’t like her or Katie wearing lipstick but he was away with work and what he didn’t know wouldn’t hurt him.
“Aren’t you ready yet?” Katie asked, lifting the needle from the record and closing the lid. “We’re going to be late.”
“I’m ready.” She got up, took her sister’s arm, and the pair of them hurried from the room yelling good-bye to their mother as the front door closed.
It was a warm evening and children still played out in the street; two boys ran towards them, kicking a football. The girls parted to let the boys pass, then linked arms again as they made their way to the dance hall. As they drew nearer, partygoers milled outside the building and music floated from the open door– an Elvis Presley track.
“Old story, new story…”
Softly, mournfully, Akiowa sang the Storyteller’s call to herself, but the rest died on her lips as she reached the brow of the ridge and gazed down over the land. A sparkling river ran alongside a birch forest, overlooked by a white rock shaped like a wolf howling at the sky. A rock she’d first seen as a babe, when her father had brought her to be blessed by the village totem. A rock which had watched, impassive, as the tribeless men carried her away.
Home. After the long years of slavery and wandering, she was home. She fell to her knees, one trembling hand at her mouth holding back her cry of joy, tears pricking her eyes.
Then joy turned to sorrow; the tears fell. For this was no longer home, since she was no longer Akiowa, young daughter of the tribe’s noblest man, his dwelling hers as long as she lived. She was the Storyteller, an old woman with no family, who would stay only a night or two before leaving.
My second life began not far from where my first ended. I awoke with a noose around my neck, lying flat on the back of a cart beside dozens of corpses. They were bloated, ugly things of various shapes and sizes, not fit to be gazed upon by human eyes. As I stared at them, the stench struck me – a mixture of excrement and rotting pork, which would surely have undone bladder and stomach, were both not already empty. Somehow, I didn’t scream. Perhaps it was the shock of it all. One instant I dangled from a rope, feeling my life ebb away; the next, I was alive again. What occurred between those moments, I couldn’t say, save that remarkably, my neck had healed. I was never a religious man, but such an act defied any explanation I could think of. And the reason was an even greater mystery. Thinking on it, I found I couldn’t even recall why I’d come to wear this noose. Why would anyone execute a mere baker? And what had become of my wife and son? I had to return to them. Yet were I to flee immediately the driver would surely proclaim me a demon or a devil risen to make mischief and I would never see my family again. As my profession often reminded me, patience was everything.
Akiowa sat with her back against a fir, looking out over the vast lake and its islands, occasionally brushing ants from her skirts, wishing she could push her thoughts away so easily. But the ants kept coming back as well, so perhaps there was no difference after all.
The spear had led her to so many villages, stirring so many painful memories of a lush valley – fruit trees, earth lodges, well-tilled fields. Memories of loving parents, a revered rock totem, an unhappy girl walking alone at dead of night. And beyond memory, the haunting vision of grief for a lost child. At each village her sorrow had grown. And guilt. So much guilt.
She’d never told the spear how she’d come to be enslaved, but perhaps it knew, and that was why it had brought her to this place, with its dark firs and thin soil and no people, where there was nothing to recall her reckless, inexcusable folly.
But no. There were people. A bull-boat came into view from behind an island, a woman paddling steadily towards the mainland away to Akiowa’s left.
The spear sent its thrill into her hand. “Must I?” she asked. The thrill came again. With a sigh she got to her feet.
Self is on the Tuo River, among the reeds and the cold stream. A good river, from where the people and the organic animal specimens gain their daily needs. Self is its guardian. Self is the last line of defence against those who wish to harm the creatures who live on its shores and swim through its stream.
All is quiet on the Tuo River this early in the morning. The Baiji-02 dolphins forage for food among the algae. A select number of code blue humans from the village wash their clothes before they go out into their fields to care for the rice. With no need for a gun or a sword at this time, Self can rest in sleep mode. And when in sleep mode, Self researches its parent model: Organism #3455-D-x: tuojiangosaurus.
To quote author of Sauropedia-7 Michelle Xuan, PhD: “The tuojiangosaurus, a stegosaurid from the late Jurassic period was a gentle forager of low-grown vegetation. With its smaller dorsal fins (compared to its more renowned cousin, the stegosaurus), it mostly lived on riverbanks. It is believed that in the event of an encounter with predators, the tuojiangosaurus would flee into nearby bodies of water and use the currents to evade its pursuers, avoiding direct conflict at all costs. A true gentle giant.“Gentle giant,” it says. Giant? Yes. Gentle? On basic mode, yes. In mode three? No, Self is not. Self’s frame resembles the parent model, but Self is hardly similar to it. Too many adjustments to counter the more “gentle” nature of the parent model.
“Welcome, Storyteller,” said the woman, as laughing girls and young children danced around Akiowa. “I am Nadie. Forgive my man for not greeting you, but the menfolk are all out hunting.”
No, not all, for a boy of perhaps twelve years stood watching, a scowl on his face. His left leg was withered, wasted, and he leaned heavily on a stick.
“Siki, come meet the Storyteller,” called Nadie, but the boy turned away. “Take it not ill, Storyteller,” she continued quietly. “Sadly, my son thinks less of himself because of his leg. But come, be welcome at my home while we wait for the men.”
Baskets full of beads stood outside her lodge – stone, shell, coral, bone, turquoise – and after bringing spicebush tea and plum-bread for Akiowa, Nadie took up her work, stitching beads into strings. Another basket held finished necklaces and amulets. As Akiowa was admiring them – they were the finest she’d ever seen – the boy, Siki, appeared before her.
“My father,” he said, “is our greatest hunter.”
“And your mother is a wonderful beadworker. You can be proud of both.”
“And I’m a cripple,” he said defiantly, as if they’d argued over it. “I cannot hunt with him.”
Look at me. For the love of God, please just look at me. I see you walking past: talking, laughing, living. Not one of you ever stops and looks down, down into the river where he left me. Would you even see me? I don’t know, but would it hurt you to look?
It still hurts, which makes no sense. There’s barely anything left of me, except for my bones. There’s still life, crawling, wriggling life that strips me away in slivers. But those things aren’t me. They just live on me. So why does it all still hurt? The wire he wrapped me in cuts into skin and muscle I no longer have. My neck still feels bruised from where he crushed my throat; lungs still burn for air that will never come. And it’s cold. You, up there in the sun, can’t imagine how cold. Colder than the grave. At least sunlight might fall on a grave.
You’re so close; just look down. I’m here. I’m still here! So close to you that I can see the tread of your shoes overhanging the path, can nearly smell that cigarette you just lit. What’s out there that is so damn beautiful that you can’t even spare a moment for the river inches from your toes?
Akiowa stood gazing at the totem. Remembering. Grieving. It was blue-grey stone fashioned like an eagle, nothing like the white wolf of her clan, its festival decorations sprays of spring blossom not the colourful craftwork her people would have enjoyed making. Yet its spirit was the same, and memories of the last time she’d seen the white wolf rock threatened to overwhelm her.
As though summoned by the memories, a young girl, her face creased with worry, hurriedly approached the totem. There similarity ended, for she touched the rock with hand and forehead, pushed something under the blossoms, then rushed away, all without noticing Akiowa.
Satisfying curiosity, Akiowa uncovered a scrap of painted rawhide, an eagle’s vivid essence soaring in brilliant colours. Wonderful work. But puzzling. Why had the girl left it there in such a strange manner?
Spring was ever a busy time – clearing, weeding, re-making the long mounds for the crops, burying rotten fish to improve the soil, planting seeds of maize, then beans and squash. Yet the women of Akiowa’s village still found time to talk or paint, while men boasted of old hunts and children played. Not here. Everyone worked, in fields which stretched as far as Akiowa could see. She wandered through the village, past mounds of thick-skinned squash – the mainstay of winter’s diet, but enough still remaining for the rest of the year – but no one noticed her until she gave the Storyteller’s call.