Sex on Wings – Jo Zebedee

I’ve always had a soft spot for a nice, sexy space pilot. I blame Han Solo for it, mostly, but Barbarella – all thigh-high boots, wide-eyed and shocked by the evil Dr Durand-Durand – has something to answer for, too.

It’s not just the sexy ones; I even like the Buck Rogers of this world, and the never-seen outside of the pages of a book, Ellie Quinns. For me, frankly, no space opera is complete without a space pilot, blaster hip-holstered, dashing, irreverent, and unpredictable. (There might be predictable ones out there; they’re not real space pilots. Ever. No matter how low their intimate voice is, or how their eyes flash, they don’t know their landing bay from their orbital habitat.)

So, why do space pilots equal sci-fi to me?

Firstly, full disclosure. I say science and I say fiction and they’re not equal. For me it’s three quarters fiction and one quarter science, half of which is dodgy. I used to be embarrassed about that. What sort of sci-fi writer couldn’t give a stuff that faster-than-light travel isn’t possible, or that you can’t hear sounds in a vacuum? Surely these things matter? And they do, to an extent – mainly to ensure I’m not laughed at too badly. But, frankly, being constrained by little details like the speed of light doesn’t get you to the end of the Kessel Run in a half-decent time, and I always fancied a run at that.

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The Water by Damaris Browne

The Water. Strange name for an art gallery.

Everyone says that. It’s wearying to be honest, but I have only myself to blame. Mooring the gallery three hundred kilometres above a desiccated rock that hadn’t seen a drop of moisture in millennia at least gave a soupçon of irony in our first season. Here, among a pentacluster of aqua-habitats, it’s ridiculous.

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The Water

The Water. Strange name for an art gallery.

Everyone says that. It’s wearying, to be honest, but I have only myself to blame. Mooring the gallery three hundred kilometres above a desiccated rock that hadn’t seen a drop of moisture in millennia at least gave a soupçon of irony in our first season. Here, among a pentacluster of aqua-habitats, it’s ridiculous.

Still, I make the most of it, inviting viewing guests to offer their conjectures as to its origins. Many surmise it’s a philosophical statement, art being as necessary to life as H2O. Excuse my hollow laughter. The more knowledgeable, i.e. the better prepared with goog-implanted art history briefings, think it relates to the famous conceptual installation The Water, Unbridged by Semke Manoula of 2119, or the infamous The Water is Rising by TeeranTula in 2243 which drowned forty-seven art lovers and – thanks be to the gods of true art – the artist yrself.

All such theories are wrong, but they provide opportunity for small talk, as I waft the guests – potential buyers, all – through the antechambers showcasing work from less expensive artists towards Suuztchi’s latest offerings in the main Halls.

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The Purple Demon encounters Lady Rong

Ba’s heart skipped a beat as he awaited Lady Wen’s reply.

“In the flurry of a snowstorm, I mistakenly identified Colonel Ba Renzhong as my attacker,” Lady Wen said. The soldiers gasped in shock, and she went on. “In the bright light of day, it is clear that this man is innocent and ought to be freed.”

General Gao’s eyebrows writhed like slugs on a salt pile, his mouth agape like a volcano’s maw.

“Men, you heard Lady Wen,” Lady Rong called to her personal guard. “Unbind Colonel Ba this instant.”

Ba struggled to stand, but was helped to his feet by two of Lady Rong’s soldiers. They untied his wrists and handed him a wineskin, which he emptied with a single gulp.

“General Gao, you imprisoned this man wrongly and sought to behead him. Perhaps an apology is in order?” Lady Rong asked.

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Twelve/Twelve by D. A. Xiaolin Spires

As the clock struck midnight, Feng-jing shifted in his chair. He was having a small snack, just a bite of sticky rice cake, when the wooden chair lifted up and he soared out the window. His sweater sleeve snagged on a branch, but he barely felt the rip. He dropped his half-eaten cake. “Hey,” he heard from below, as the pastry hit the helmet of a motorcyclist. His heart palpitated as the breeze whipped his black locks.

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Twelve/Twelve

As the clock struck midnight, Feng-jing shifted in his chair. He was having a small snack, just a bite of sticky rice cake, when the wooden chair lifted up and he soared out the window. His sweater sleeve snagged on a branch, but he barely felt the rip. He dropped his half-eaten cake. “Hey,” he heard from below, as the pastry hit the helmet of a motorcyclist. His heart palpitated as the breeze whipped his black locks.

“Dad!” he yelled. No response.

The chair dodged Taipei’s various glowing signs and street lamps. As Feng-jing passed above lanterns held by a single string at the temple front, he remembered that thin thread of bracelet on the fortune teller’s wrist. Years ago, Mom took him to the night market, like she did every Friday. She had her fortune read and, on that day, made him do it too. She ushered him into the crammed booth. All he wanted was a scallion pancake, but as he looked at the fortune teller’s gaunt face, he shivered and forgot about that flaky treat. He wrote his name for her, at her request, in his messy elementary scrawl: 馮敬 Feng-jing. The fortune teller stared at it, her lips unmoving.

She looked at him with luminous eyes, “Twelve/twelve,” she said finally, tracing the strokes, counting them aloud. “Your twelfth year, when the hours are even – twelve/twelve – you will realize what you long suspected.”

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The Purple Demon – Ba’s virtue gets rewarded

Ba Renzhong’s hands were bound, and he was escorted through the streets of Ganyang, into the military district, and thrown into prison. After several hours contemplating his predicament and meditating on his fate, he approached the bars and asked a guard to come closer.

“It’s likely I’ll be dead tomorrow. I’d like my last meal if I may,” Ba asked.

The guard laughed. “Sure, sure. I’ll get you a bowl of empty air and a cup of nothing! As if General Gao wants you stuffing your face. The army can’t waste money paying for a criminal’s gluttony.”

Ba folded his arms. “A final meal is an ancient principle and decreed in imperial law.”

“He’s right, you know,” Iron Belly said. He strolled to the cell, bearing a tray. Ba’s nostrils twitched at the smell of steaming dumplings and fresh-cooked beef.

The guard scowled. “These are General Gao’s orders, sir. They must be obeyed.”

Iron Belly smiled. “I’m going to give my friend his last meal. You can look the other way, or I can bruise more than your pride. It’s entirely up to you.”

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Honestly, it wasn’t my fault by Susan Boulton

‘Your family is not left behind.’ It’s the unofficial slogan of the Commonwealth Expeditionary Force. Family units are supposed to be more stable for long-time missions, according to the higher-ups. I don’t think this can be applied to the Masons, somehow. Dad says ships like ours are really like small towns back home. All the good bits are on show for people passing through. The bad bits are hidden away behind closed doors and twitching curtains.

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